The sub­con­scious mind holds a lot of in­for­ma­tion that works be­hind the scenes to shape the ac­tions and re­ac­tions of hu­man be­ings. Hyp­nother­a­pist Sreshtha Tewari be­lieves her pro­fes­sion has placed her in a po­si­tion to help her clients en­ter their sub­con­scious and try to re­set habits that no longer serve them in a pos­i­tive man­ner.

Eme Eton has not yet done the Sec­ondary En­trance As­sess­ment (SEA) ex­am, but she is al­ready at­tempt­ing ex­ams at a more ad­vanced lev­el.

Krys­tle Phillips did not en­ter agri­cul­ture through pol­i­cy, train­ing, or even in­ten­tion; she ar­rived there by recog­nis­ing a gap that sits at the heart of one of Trinidad and To­ba­go’s biggest eco­nom­ic prob­lems: food im­ports. A “born and bred Laven­til­lean”, her ear­li­est ex­po­sure to agri­cul­ture came from her fa­ther, even though she did not recog­nise it at the time. She re­mem­bers her fa­ther as “an ur­ban farmer” who sold eggs, chick­ens, peas, and oth­er goods to sup­port the house­hold. To­day, that mem­o­ry sits with her not on­ly as a guid­ing force in her line of work, but couched with­in a much larg­er na­tion­al is­sue, one where lo­cal agri­cul­tur­al pro­duc­tion re­mains un­der­de­vel­oped, and bil­lions are spent an­nu­al­ly bring­ing food in­to the coun­try.

It may be too ear­ly for some to think about Christ­mas, but not if you’re Giselle Laronde-West. If you’re one of those who love to gift lo­cal­ly made jew­ellery for the hol­i­days, Miss World 1986 and cor­po­rate ex­ec­u­tive-turned de­sign­er might have just the per­fect find to catch your eye.

In Trinidad and To­ba­go, many women are guilty of ask­ing this ques­tion: “Is it cheap­er to eat well, or are we just be­ing pushed to­wards sup­ple­ments in­stead of re­al food?”

On May 2 and 3, his pieces will be on dis­play at Samuel’s Yard Wood­turn­ing Art Gallery, at 4 Lawrence Wong Road, Long­denville, from 10 am to 5 pm.

Em­broi­dery artiste Stephanie Edghill’s youngest fans are her sons—Lu­cas, two-and-a-half years old, and Liam, just eight months. On­ly re­cent­ly, she and Lu­cas were work­ing on a key­chain to­geth­er for a new client; he was help­ing with the glue (don’t wor­ry, not the hot glue kind). Since Liam is too young to be hands-on, she puts him next to her in a laun­dry bas­ket “with some balls to play with. He en­joys that,” she says.

Nine fi­nal­ists, in­clud­ing five women, have se­cured their places in the Grand Slam of the Na­tion­al Po­et­ry Slam (NPS) 2026, set­ting the stage for a high-stakes fi­nale at one of the re­gion’s most an­tic­i­pat­ed spo­ken word events.

Mu­sic lovers turned out in full force on East­er Sun­day for the I Am Jazz Fes­ti­val’s 2026 stag­ing of “Jazz in Red – The Love Af­fair,” trans­form­ing the grounds of Cipri­ani Col­lege in­to a sea of colour, rhythm, and style.

Vagi­nal Birth Af­ter Cae­sare­an, com­mon­ly re­ferred to as VBAC, or tri­al of labour af­ter cae­sare­an, is the process of de­liv­er­ing a ba­by vagi­nal­ly af­ter hav­ing had a pre­vi­ous cae­sare­an sec­tion (C-sec­tion). For many years, the phrase “once a cae­sare­an, al­ways a cae­sare­an” dom­i­nat­ed ob­stet­ric care. To­day, how­ev­er, we know that many women can safe­ly at­tempt a vagi­nal de­liv­ery af­ter a pri­or C-sec­tion, pro­vid­ed cer­tain cri­te­ria are met.

Sev­er­al com­mu­ni­ties con­tin­ue to grap­ple with per­sis­tent pest in­fes­ta­tions, of­ten fu­elled by the ac­cu­mu­la­tion of bulk waste in open spaces and along pub­lic streets. Against this back­drop, a group of pan play­ers and hik­ers joined forces to re­move more than 647 pounds of de­bris in a coastal clean-up and beau­ti­fi­ca­tion ex­er­cise at Par­adise Beach on April 19—three days ahead of Earth Day.

Glob­al stream­ing sen­sa­tion IShowSpeed has brought his high-en­er­gy, un­pre­dictable brand of con­tent to the Caribbean and on Sat­ur­day Trinidad and To­ba­go was first stop on a tour al­ready gen­er­at­ing in­tense re­gion­al buzz.