KAY-MARIE FLETCHER
Senior Reporter
kay-marie.fletcher@guardian.co.tt
Debate on the National Emblems (Amendment) Bill 2025 ended in the Senate yesterday evening with the bill being passed.
After being passed in the Lower House last week, the bill sought to ratify the addition of the steelpan on the Coat of Arms while removing Christopher Columbus’s three ships.
While the public has been critical of jeweller Gillian Bishop’s re-design of the Coat of Arms, there were mixed views from senators.
Leading the charge in support of the re-design, Minister of Tourism, Culture and the Arts Randall Mitchell said it’s all about artistic expression.
Before the debate, he told Guardian Media, “It’s a design. There is nothing that divides opinion like art and artistic expression. I’m seeing a lot of people who are in favour of it. In fact, the majority of people are in favour of it. Whether they like the design, some people think it should be silver. Some people feel it should be a different type of pan. Some people feel there should be more than one pan. It’s artistic expression.”
Asked how much it cost taxpayers, he said he did not know since the Office of the Prime Minister was responsible for the change.
Inside the Senate, Mitchell said it would not cost hundreds of millions of dollars to replace the emblem on official documents.
He also said citizens will not need to rush to get their passports and other legal documents changed.
“There will be a cost to change physical signage, stickers on vehicles. There would be a cost to issue the physical reproductions of the Coat of Arms, etc. But the idea that you would have to immediately change out the entire money supply to the tune of hundreds of millions of dollars is simply false. There will be no undue heavy financial burden to the taxpayer once the transition is properly managed and once these measures are accepted and passed.”
Before the debate, Guardian Media spoke to 13 senators outside the Parliament yesterday. Several independent and opposition senators were in support of the new look.
Opposition Senator Anil Roberts said, “The one subject I was not good at in school is Art, so I leave that for those who have skills in art and design and so on. I think that the steelpan is long overdue for respect and being on the Coat of Arms is a good thing. However, it’s quite superficial ... while the Coat of Arms may look absolutely beautiful, what about investment in pan?”
Other opposition senators like Wade Mark, Damian Lyder and Jayanti Lutchmedial-Ramdial expressed some support toward the pan being placed on the Coat of Arms, though they also had strong views about Government’s support of the pan fraternity during the debate.
Independent Senator Anthony Vieira, SC said, “I am in favour of it. I think it’s a symbol of unity and innovation of our people.”
Independent Senator Dr Gerard Hutchinson said, “I support the concept. I think the idea is worthwhile. I think, though, there may be other means by which we could improve our concept of national identity. I am not a design expert. It seemed ok.”
Meanwhile, Independent Senator Paul Richards said, “Yes, I am satisfied. Everyone will have a subjective interpretation artistically. Everybody will think it should have been silver, it should have been gold, it should have been pink, it should have been blue. But, to me what I saw was a proper interpretation of the steelpan and that’s what’s important.”
Independent Senator Deoroop Teemal said, “The design is intended to capture the national instrument, which it has done. It has more or less retained the other aspects. Why make something complicated when it could be simple and send the intended message.”
However, others were not quite impressed.
Independent Senator Dr Sharda Patasar said she was, “A bit underwhelmed” with the new look.
Her colleague on the Independent bench Sunity Maharaj said she believes the artistic community should have been more involved.
Maharaj said, “This is something that really required widespread consultation and input, and I would have liked to know that the artistic community, the people who’ve invested, who are invested in imagery were a critical part of it.”