Freelance Contributor
The rhythmic pulse of the dholak and the bright, metallic ring of the dhantal filled the Couva South Auditorium recently as Indian Classical music and traditional chutney shared centre stage in a seamless cultural showcase led by Dubraj Persad.
Persad, a seasoned performer known for his command of both genres and a representative of the Couva/Tabaquite/Talparo Regional Corporation, hosted his annual production, Dubraj and Friends, drawing a capacity crowd that began assembling as early as 1 pm. By showtime, the venue was filled to capacity—an indication, Persad noted, that the event may soon outgrow its current home.
“The support has been overwhelming,” he said, hinting that a larger venue may be necessary for next year’s edition.
What distinguished the event was its deliberate structure. The early start catered to enthusiasts of Indian Classical music, allowing them to savour intricate melodies and devotional tones before the high-energy rhythms of chutney took over later in the programme. Patrons praised the format as a “perfect blend” that honoured both traditions without compromise.
Central to the show’s authenticity was the use of traditional instruments—the harmonium, dholak and dhantal—each deeply rooted in the history of Trinidad and Tobago’s Indian community, tracing back to the period of indentureship. Their presence lent a rich, organic texture to the performances, grounding the evening in heritage while energising a contemporary audience.
The vocal line-up read like a who’s who of the genre. Veteran singer Manmohan Gosyne opened with confidence and poise, followed by 81-year-old James Ramdass of Caroni, whose six decades in music were evident in his commanding delivery and enduring stage presence.
Moonilal Gildharie, another stalwart of Indian Classical singing, had patrons on their feet, his performance blurring the line between reverence and celebration.
International performers added further dimension to the showcase. Artistes such as Ashok Yankaram (Canada), Rudy Ramdass (Pennsylvania) and Indarnil Surujdeo (Canada) brought a diasporic flavour, underscoring the global reach of the music while maintaining its local soul.
Among the standout performers was Cyntra Sookoo of Barrackpore. Known for her emotive voice and graceful stage presence, she delivered a performance that resonated deeply with the audience, reinforcing her reputation as a regular feature on Trinidad and Tobago’s cultural circuit.
Dubraj and Friends did more than entertain—it reaffirmed the enduring appeal of Indian Classical and chutney music, and the power of thoughtful curation in bringing generations together through sound.
